The New Mediapop

The New Mediapop 1280 720 Ryan Northcott

Mediapop is a full service production company working with business, brands, filmmakers, and agencies providing creative and high quality content. We are directors, creatives, producers, editors, and cinematographers who have a proven track record working with the some of the globes biggest brands.

Years of amazing work has culminated in the need to have a clear, future-proof brand which tells the Mediapop story at first glance. To us that wasn’t enough, the new brand had to be applicable to other applications – screen, social, signage, product, and more.

Our goals were to be easily recognizable, splashed with color, and establish a more creative and aggressive feel. The challenge was to simplify the identity, but still retain the multi-faceted capabilities of our shop.

We achieved this by looking at types of art we identified with and a constant through our discussions was the “Minimalist” movement, both with art and lifestyle.


In visual arts, music, and other mediums, minimalism is an art movement that began in post–World War II Western art, most strongly with American visual arts in the 1960s and early 1970s.

Minimalism to Mediapop has several different applications as it relates to our core capabilities.


Clean frames, art direction, cinematography, themes, and design. We focused on removing visual clutter and presenting story without fluff, just substance.


Rather than go overboard on our projects and productions, we focused on using the right amount of everything at the right time for the right project.

Quality & Simplicity

To de-clutter the frame is to de-clutter the mind. Good story is the focal point and minimalism promotes good story with no clutter.

One of the most influential masters of Minimalism was Frank Stella and you can certainly see the similarities and influence of Mr. Stella in our identity design.

Our other influence in design was rooted in film and the various formats of camera sensors. You hear talk of 4K, 6K, even 8K now, but to visualize those formats camera makers will often produce images like this…


Searching for the right font is one of the most important aspects of re-branding our identity. We looked all over, different font foundries, blogs, buildings around Calgary, new fonts on the market, but finally settled on “Marché” by the Colophon Foundry based in London and Los Angeles.

MEDIAPOP? Mediapop? MediaPop? MediaPOP?

None of these worked right, so we settled on all lowercase to attain simplicity, uniformity, and to take advantage of the “d” and “i” that so satisfyingly are exactly the same height.


An important factor in choosing Marché was the Super Forwardslant variety of the font. After years of production work on hundreds of videos we wanted our visual identity to represent moving forward – to films, bigger productions, brands, television, streaming – we are marching forward.


Last, but certainly not least is the color of the logo and identity. We love design, all aspects and forms, and the building blocks of design is color – starting with Cyan, Magenta, Yellow, and Key (Black). Color is also the backbone of film and video – in some cases the first thing we think about is how the color grade will affect and enhance a production.

We chose to stay close to design roots and use each of the CMYK colors as the base of our logo.




Key (Black)

Final Result

The final result is a logo that is brash, creative, beautiful, speaks to what we do as filmmakers, and creates an identity that is recognizable and memorable. We are excited to use the logo in different applications, we hope you like it too.

Advertising in a World of Ad Blockers

Advertising in a World of Ad Blockers 1280 720 Ryan Northcott

I hate ads and I make them.

On every device, every browser, every possible way I could be advertised to – I block them. Why? Because advertising, in its current form, sucks. The majority of advertising lacks basic creativity, spams the pages you read with big bulky ads, tracks your movements with invasive scripts, interrupts the beauty of the web, and bores me to death with incredibly bland videos. Mostly we’ve been accustomed to ignoring them all together. I’ve gone so far to learn that if you can’t skip a YouTube ad, simply refresh the page and it’ll go away the next time you press play.

Look, it's a typically good stock family. Ugh.

Look, it’s a typically good looking stock family. Ugh.

Thing is, we need advertising. If we didn’t have advertising I wouldn’t know that Fluevog was having an amazing sale on that great pair of boots I want, for example. Advertising works, when done correctly, and when it focuses on one simple principal that we at MEDIAPOP adhere to…

Make advertising entertaining.

I've watched this ridiculous Old Spice ad ten times because it's hilarious.

I’ve watched this ridiculous Old Spice ad ten times because it’s hilarious.

You’ll see many examples of entertaining advertising, but these are the exception and not the rule. Why is that? Because companies are afraid to go to the line. When a company plays it “safe”, the message becomes noise lost in the void, stuck in the dead space. That dead space is where the viewer’s eyes gloss over, the brain shuts off, and misses all the action triggers. At MEDIAPOP we deploy a really simple factor that most advertisers miss.


In every project we do we try as hard as we can to make an emotional connection between you and the viewer. We look at the intended audience, gauge what kind of emotion will make them act, and form the content around that emotion. The result is something unique me and others have felt; I want to watch your advertisement. Sell me something! We live in an age of Netflix, Hulu, Shomi, HBO Now – I’ll watch what I want, when I want – make your advertisements something I WANT to watch.

The top comments tell the story...

The top comments tell the story…

I’m not being biased here, but rather gleaning from my own experience as a viewer, the only effective ads that get me to act are videos that tell me an entertaining story. Not just any story, a story that gets my emotions involved. The beauty of video is for the most part isn’t blocked up by Ad or Content Blockers. So the real question of effectiveness is: Are you going to make video content that people want to watch? One of the best categories is Branded Content/Branded Short Films – The Intersection of Art & Commerce.

Branded Content is a simple formula:
• Get good story
• Tie it to brand
• Produce it
• Show it off

So why aren’t most advertisers or companies doing it? Fear. Yet, the people who are doing it are reaping the benefits. This is PRADA presents “CASTELLO CAVALCANTI” by Wes Anderson

This is an ad. It’s unabashedly an ad that is entertaining and memorable. It works.

We can apply this theory to absolutely anything.

Clothing retailer? Let’s write a script about how a more confident outfit leads to a more spectacular night of adventure.

Renewable Company? What does your technology do for the vulnerable communities in our world?

Construction Company? What happens to a neighbourhood when it’s transformed into a destination?

These are the type of stories we conjure up and produce when we follow the theory that every project must make an emotional connection.

Content and Ad Blockers are the new norm, get used to it. The whole advertising industry is flipping their lids trying to figure out how to deal with this new world of web and television advertising. Video is one avenue to beat this shift, but if it doesn’t do anything remarkable or entertaining it’ll fall into the dead space.

MEDIAPOP is one of a few companies that produce Branded Content. We’re a new generation of advertising companies flipping the normal upside down and calling a spade a spade; the old guard doesn’t get today and the future. We do.